The architect of the Palau de la Música or H ospital de Sant Pau Barcelona Lluís Domènech i Montaner in 1904 toured and photographed the Pyrenees , drawing paintings , capitals, was finding plants, collecting material to write a book on the Catalan Romanesque. Thus emboldened paintings in the apse of Sant Climent de Taüll, the front of Mosoll, paints Santa Maria d'Aneu or Sant Pere de Burgal.
In 1919, the dealer and the dealer Gabriel Dereppe Ignasi Pollack, U.S., saw romance in these works a chance of a good business if they sold to American museums. So I hired the Stefanoni, a saga of restaurateurs who had learned from his teacher, the conservative Suardo Secco, the strappo, strained Italian boot technique apses paintings and murals.
fresco was covered with cloth, glue-bonded organic cartilage, which dries the film allowed to start painting, as if it were a negative, and roll. So moved, the destination was applied other fabric on the back and placed in a new format, ready to be referred back to a place outside the devotion he had created.
the expedition photographer, Ventura Vidal, gave notice that they had bought the apse of the church of Santa Maria de Mur to sell the Museum of Fine Arts in Boston, where he continues to display. Museums Board instructed them fresh Stefanoni that start to take them to the Palace, in Barcelona, \u200b\u200bthe Museum of Art and Archaeology. For three years the Italians took to the churches of the Pyrenees with the help of the documentation collected by the architect Lluis Domenech i Montaner, and stripped of paint 300 square meters to 500 pesetas / m, according to the contract is still preserved. Thanks to that reaction can be seen today in the apses MNAC San Climent or Taüll, San Joan de Boi or Santa Maria de Aneu.
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