Eduardo Mendoza in Tiff cats, Madrid 1936 , on account of its English protagonist, Anthony Whitelands, a specialist in English art, says a seires artwork. Let's see.
Indifferent to everything that is not reunited with their cherished museum, Anthony stops for a brief moment before Il Furore, the effigy of Charles V cast in bronze by Leone Leoni. The emperor, Roman armor clad, clutching a spear while at his feet, beaten and chained, the portrayal of violence subdued wild lies, his nose pressed against the back of the winner, which represents the order and imposes on the earth, by divine command and regardless of media.
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